![]() ![]() ![]() The Keitelman Gallery went for Mounir Fatmi (from its current exhibition), Stella, Lee Ufan, Broodthaers, Klein, Hantaï, as well as Calder and Miró. But contemporary art is starting to impose itself progressively and prudently in the stands of some of the exhibiting galleries specialising in modern art, as well as galleries such as Maruani Mercier, who is at the fair for the first time, and Keitelman, who is a regular, and even-two galleries from Brussels! The former does present some modern pieces: a Delvaux (57), a Brauner (56) an Arp sculpture from 1953 and some works by Man Ray, but mainly contemporary ensembles by Clemente, Sherrie Levine, Gavin Turk, Bleckner, Carl André, as well as two Mangolds (77 and 79), a Peter Halley (2016), a Christopher Wool. The Maastricht fair has been wide open to modern art and to post-war art for quite a while. Still a tad hesitatingly, contemporary art is managing to insinuate itself into the ranks of the moderns and even starting to impose itself in a few of the participating galleries at TEFAF. Le contemporain et le "Curated" | by Claude Lorent | La Libre ![]()
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